Finalist for the 2020 Organization of American Historians Mary Nickliss Prize

Pioneering Chinese American actress Anna May Wong made more than sixty films, headlined theater and vaudeville productions, and even starred in her own television show. Her work helped shape racial modernity as she embodied the dominant image of Chinese and, more generally, “Oriental” women between 1925 and 1940. 

In Anna May Wong, Shirley Jennifer Lim re-evaluates Wong’s life and work as a consummate artist by mining an historical archive of her efforts outside of Hollywood cinema. From her pan-European films and her self-made My China Film to her encounters with artists such as Josephine Baker, Carl Van Vechten, and Walter Benjamin, Lim scrutinizes Wong’s cultural production and self-fashioning. Byconsidering the salient moments of Wong’s career and cultural output, Lim’s analysis explores the deeper meanings, and positions the actress as an historical and cultural entrepreneur who rewrote categories of representation.  

Anna May Wong provides a new understanding of the actress’s career as an ingenious creative artist.

From fiddle tunes to folk ballads, from banjos to blues, traditional music thrives in the remote mountains and hollers of West Virginia. For a quarter century, Goldenseal magazine has given its readers intimate access to the lives and music of folk artists from across this pivotal state. Now the best of Goldenseal is gathered for the first time in this richly illustrated volume.   Some of the country's finest folklorists take us through the backwoods and into the homes of such artists as fiddlers Clark Kessinger and U.S. Senator Robert Byrd, recording stars Lynn Davis and Molly O'Day, dulcimer master Russell Fluharty, National Heritage Fellowship recipient Melvin Wine, bluesman Nat Reese, and banjoist Sylvia O'Brien.
The most complete survey to date of the vibrant strands of this music and its colorful practitioners, Mountains of Music delineates a unique culture where music and music making are part of an ancient and treasured heritage. The sly humor, strong faith, clear regional identity, and musical convictions of these performers draw the reader into families and communities bound by music from one generation to another.   For devotees as well as newcomers to this infectiously joyous and heartfelt music, Mountains of Music captures the strength of tradition and the spontaneous power of living artistry.
 
 

Transnational Asian American Literature: Sites and Transits examines the diasporic and transnational aspects of Asian American literature and asserts the importance of a globalized imaginary in what has been considered an ethnic subgenre of American literature. The thirteen essays in this volume engage works of prose and poetry as aesthetic articulations of the fluid transnational identities formed by Asian American writers who move within and across national boundaries. With its emphasis on the transmigratory and flexible nature of Asian American literary production, the collection argues for an equally balanced mode of criticism that extends our readings of these works beyond the traditional limits of the American literary canon. Individual chapters feature such writers as Chang-rae Lee, Karen Tei Yamashita, Jhumpa Lahiri, Maxine Hong Kingston, and Ha Jin, with attention to such discourses as gender, space and mobility, transnationalism, identity, genre, and post-coloniality.